LIT MAGS STILL EVANESCING

... er, I mean effervescing. The usual suspects line up to be counted in this trend piece for The New York Times profiling the present, surprising survival of literary magazines: McSweeney's, ZYZZYVA, CLMP. Wonder why your mag wasn't mentioned? Are you not thriving as well? Tip of the hat to Jenna D. for pointing this piece out.

TROL ONLINE AGAIN

News from the Republic of Letters has put on a new digital costume, i.e. has a new website, which serves in large part as a vehicle for Republic of Letters books, the third of which is out this month.

The Editor's motto for the new form of the magazine: We are not here to teach writers but to put them to the proof." For, Botsford continues, "In 21st-century America it is quite likely that the average reader has no idea that metals get proven: writers by publication among their betters."

Of the first offerings, I recommend "My Friend Borges."Really, it all looks good.

"GOD LIQUORS LOOSE EACH ASHEN TONGUE"

Below, and at the Boston Review website, Gregory Pardlo reads his poem "Palling Around":

This video is part of BR's special package celebrating National Poetry Month. The rich jangle of noun phrases Pardlo is using here is rather like what Lucy Brock-Broido was writing in her dense poems of the eighties; for example, these lines from "I Wish You Love" [from AGNI 27, 1988, pg. 11]:

Like Josef's skull ascending from Brazilian soil
On a twine, she rises from her famous white bed,
Exhumed by morning. I am hunted into daylight
When I wake like that, god-hungry, startled.
Now that my father is gone, he has gone
Luminous. I wish him love.

JOYCE SYMPOSIUM

The Boston Joyce Forum is sponsoring a symposium at Boston College this Saturday, April 16th. Joyceans of international repute such as Joe Valente (Buffalo) and Marilyn Reizbaum (Bowdoin) will present a series of lectures on the theme of "Joyce and History."

For more information on the BJF, write to Joseph Nugent or Patrick Mullen. Take note: throughout the academic semester, Raidin the Wake -- the Boston College Finnegans Wake reading group, now in its seventh year -- meets weekly in the ILA building at Stone Avenue.

BU ALUM NAMED ASME FINALIST

William Giraldi, a 2004 graduate of the BU MFA program in fiction, has been named a 2011 National Magazine Awards Finalist for his essay "The Physics of Speed" in the Fall 2010 issue of The Antioch Review. From the essay:

In the following days I learned that absence takes up space, has mass, moves from room to room. Grief is much heavier than fear. Fear hung before me in anticipation, whereas the grief was planted like a sequoia in my stomach, its roots reaching far down into my legs for water, its branches reaching up through my arms and torso and neck, the poison from its fruit spilling into my cells. Each terrible dawn stretched across the day and illuminated my father's absence.

 If you'd like to read the whole piece, subscribe to The Antioch Review, or ask to borrow my copy -- I'm happy to mail it out.

LIBERTY READING

In the latest iteration of the Poetic Justice reading series, January O'Neil, Marsha Pomerantz, and Ron Slate will be reading this Thursday, April 14th, at 6:30. The reading will take place in the 5th floor Esplanade Room of the Liberty Hotel, 215 Charles Street. Organized by Tapestry of Voices and The Grolier Poetry Book Shop.

READING AT THE ARMORY

The First and Last Word Poetry Series presents Joshua Coben, Ron Slate, and Kim Triedman, reading on Tuesday April 12th, at 6:30 PM at The Center for the Arts, 191 Highland Avenue, Somerville Mass. Admission: $4; followed by an open mic.

ARTWORK FOR CHRISTCHURCH

New Zealand artist and writer Claire Benyon is raising money to go toward relief efforts following the earthquake at Christchurch. It's something like a raffle; even a small donation will put you in the running to win one of the lovely works of art or literature donated by their creators to support the project.

*

From that same part of the world, an announcement: distinguished British poet/translator Anthony Rudolf will feature in the seventh edition of the magazine chapbook titled "broadsheet." The authors in this series are rather carefully chosen, and the chapbooks themselves are elegantly produced.

THREE LINES I LIKE

This week's selection was made by Massachusetts poetry advocate/burr George Slone.

1. "Estoit-il lors temps de moy taire?" -- François Villon
2. "Me diste con la carne y la leche las silabas que nombraran tambien los palidos gusanos que viajan en tu vientre" -- Pablo Neruda
3. "Walk on gaunt shores and avoid the people." -- Robinson Jeffers

Let us know by email if you'd like to share three lines YOU like, in a future weekly bulletin.

NEW ISSUE OF THE WOLF

Issue 24 of The Wolf is out, with poems by Paul Stubbs ('The Last Signs of Science'), Will Stone, Blandine Longre, Gabriel Levin, John Kinsella, and Anne Waldman among others, as well as critical prose and reviews (of Tabish Khair's Man of Glass, Siddhartha Bose's Kalagora, Charles Reznikoff's Holocaust, etc.) and paintings by Bahram.

The editor, James Byrne, will be reading with Tess Taylor, Laura Healy, and James Stotts, at a special session of the U35 reading series to take place at the Massachusetts Poetry Festival on Saturday, May 14th.

POEMWORKS

"One of the best places for workshops," says The Boston Globe. Barbara Helfgott Hyett of The Workshop For Publishing Poets has asked me to announce the start of their Spring 2011 workshops.

For details on class schedules and fees, and where to submit poems in application,visit http://www.poemworks.com, where you'll also find poems by current members, and lists of awards won including Pushcart Prizes and Massachusetts Cultural Council Fellowships. To register, and/or ask questions, contact the workshop administrator.

WHERE BRODSKY GOT IT

Below, an excerpt from the transcript smuggled out of Russia of Joseph Brodsky's trial in 1964 for "malicious parasitism":

JUDGE: And what is your profession?

BRODSKY: Poet. Poet and translator.

JUDGE: And who told you that you were a poet? Who assigned you that rank?

BRODSKY: No one. (Non-confrontationally.) Who assigned me to the human race?

JUDGE: And did you study for this?

BRODSKY: For what?

JUDGE: To become a poet? Did you try to attend a school where they train [poets] . . . where they teach . . .

BRODSKY: I don't think it comes from education.

JUDGE: From what, then?

BRODSKY: I think it's . . . (at a loss) . . . from God.

LIT FEST IN NEWBURYPORT

The Sixth Annual Newburyport Literary Festival will kick off Friday, April 29, 2011, with an opening ceremony at 6 pm at the Firehouse Center for the Arts, in Market Square, Newburyport. Events on Saturday, April 30, begin at 8:30 am with Morning Coffee with the Poets.

SLOW POETRY DEFENDED

John Armstrong has issued a manifesto for Slow Poetry [read: Dense Verse]. Along these lines, readers might enjoy the poetry of Ted Richer, a poet living in Scituate. His poems often show a perfection of slowness via repetition; for example his poem "Secrets" at Public Republic. Below, a video of Richer reading several short poems (he starts at 38:11), the first of which was finished on the morning of the reading.

LAST READING AT TE PIERRE MENARD

The Liberation Poetry Collective presents a reading to launch a new book by Tontongi (aka Eddy Toussaint), and to say farewell to John Wronoski to the staff of Pierre Menard Gallery as they close for good after many years of artistic production. This Thursday, April 14th, 6 PM, at 10 Arrow Street, Cambridge. Open to the public; refreshments will be available. For information, call the Gallery at 617-868-2023.

FERRY WINS LILLY

Congratulations to poet and translator David Ferry, whose lifetime of accomplishment in letters has been recognized by the Poetry Foundation with the 2011 Ruth Lilly Poetry Prize.

EVERSON IN POETRY, MAZER ON EVERSON

Poetry's website relaunch has made the back issue contents more easily available than ever before... such contents as Landis Everson's poem from the October 2006 issue, "What's Wrong":

What you are struggling with," said
the psychologist, "is
a continuous song, something like
a telephone's tone. [...]

Not serendipitously, but sadly, I came across two poems written in memoriam for Everson while reading this  Saturday, and a third in Stephen Sturgeon's Trees of the Twentieth Century when a friend and I were paging through and talking about the collection on Sunday.

I think of a short poem by Greg Delanty:

For many are not here who were here before.

In Dark Sky Magazine last month, Ben Mazer wrote about his relationship with Landis, and how his collection January, 2008 grew out of the grief he felt when the older poet died in 2007.

MIT POETRY READING

Karyn Crispo Jones, Jillian Saucier, and James Eggleston will be reading their poetry at MIT this Wednesday, April 13, at noon, in Killian Hall (14W-111, in the Institute's nonce locational scheme). Part of MIT's Artists Behind the Desk events series.

WEAK SAUCE OF WORDS

Jessa Crispin, writing for The Smart Set, agrees with Goldsmith that it's all dross, but unlike Goldsmith does not see much value in setting oneself up as a dross broker:

Not even the most idealistic among the cultural critics bother to argue that the system is merit-based. She takes aim at the MFA industry, the overproduction of underdeveloped books, and at the shallow hunger of amateur writers.

Of course, her complaint is not new: "Of making books there is no end," said Ecclesiastes a few millenia ago. Brian Bauld, a retired teacher of secondary school English, has compiled a capacious round-up of sensible essays concerning books and the idea of books, many of which make the same point -- too much noise, too little music. His list of lit crit is also worth checking out.

KALOGERIS IN SLATE

George Kalogeris' first book Camus: Carnets (published by Bill Corbett's Pressed Wafer Press here in Boston) exemplifies the positive qualities of Quietude, and for many of us was a touchstone publication when it came out a few years ago. Slate magazine ran his new poem "Odysseus Seeing Laertes" last week. An interesting debate plays out in the discussion thread following the poem, between those who think the poem's allusion to ancient literature helps, and those feel it obfuscates.